History of Taj Mahal 
The
construction of this marble masterpiece is credited to the Mughal emperor Shah
Jahan who erected this mausoleum in memory of his beloved wife, Arjumarid Bano
Begum; popularly known as Mumtaz Mahal, who died in A.H. 1040 (A.D. 1630).
Her last wish to her husband was "to build a tomb in her memory such
as the world had never seen before". Thus emperor Shah Jahan set about building
this fairy tale like marvel.
The construction of Taj Mahal was started
in A.D. 1632 and completed at the ended in 1648 A.D. For seventeen years, twenty
thousand workmen are said to have been employed on it daily, for their accommodation
a small town, named after the deceased empress- 'Mumtazabad', now known as Taj
Ganj, was built adjacent to it.
Amanat Khan Shirazi was the calligrapher
of Taj Mahal, his name occurs at the end of an inscription on one of the gates
of the Taj. Poet Ghiyasuddin had designed the verses on the tombstone, while Ismail
Khan Afridi of Turkey was the dome maker. Muhammad Hanif was the superintendent
of Masons.
The designer of Taj Mahal was Ustad Ahmad Lahauri. The material
was brought in from allover India and central Asia and it took a fleet of 1000
elephants to transport it to the site. The central dome is 187 ft. high at the
centre.
Red sandstone was brought from Fatehpur Sikri, Jasper from Punjab, Jade and Crystal
from China, Turquoise from Tibet, Lapis Lazuli and Sapphire from Sri Lanka, Coal
& Comelian from Arabia and Diamonds from Panna. In all 28 kind of rare, semi
precious and precious stones were used for inlay work in the Taj Mahal.
The chief building material, the white marble was brought from the quarries of
Makrana, in distt. Nagaur, Rajasthan. Copies of orders (farmans) issued to Raja
Jai Singh, for the purpose by Shah Jahan, can be seen in the Taj Museum.
Taj Mahal's outer court, also known as Jilo Khana, was formerly used both
as a bazar and a caravansarai (Rest house). On the south-east and south-west comers
are the tombs of Sirhindi Begum and Satiunnisa Khanum. The Taj has a jewel-like
quality.
The shadow and light play demonstrates its many moods.
Some feel the Taj is best seen on a full moon night, others find it ethereal
at dawn while some insist that it is sensuous at sunset.
